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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

 

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Sandro Botticelli Madonna and CHild with an Angel oil painting

Painting ID::  26807

X 
 

Sandro Botticelli
Madonna and CHild with an Angel
c 1465 Ajaccio,Fesch Museum (mk57)
   
   
     

 

 

Sandro Botticelli Filippo Lippi,Madonna with Child and Angels or Uffizi Madonna oil painting

Painting ID::  26809

X 
 

Sandro Botticelli
Filippo Lippi,Madonna with Child and Angels or Uffizi Madonna
1464--1465 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Madonna with Child and an Angel oil painting

Painting ID::  26811

X 
 

Sandro Botticelli
Madonna with Child and an Angel
c 1465 Florence,Museo dello Spedale degli Innocenti
   
   
     

 

 

Sandro Botticelli Madonna of the Rose Garden or Madonna and Child with St John the Baptist oil painting

Painting ID::  26813

X 
 

Sandro Botticelli
Madonna of the Rose Garden or Madonna and Child with St John the Baptist
C 1468 Detail Paris Musee du Louvre (mk57)
   
   
     

 

 

Sandro Botticelli Madonna and Child in Glory with Cherubim oil painting

Painting ID::  26816

X 
 

Sandro Botticelli
Madonna and Child in Glory with Cherubim
1469--1470 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Filippo Lippi,Stories of St John the Baptist:the Banquet of Herod oil painting

Painting ID::  26815

X 
 

Sandro Botticelli
Filippo Lippi,Stories of St John the Baptist:the Banquet of Herod
1452--1465 detail Prato,Duomo (mk57)
   
   
     

 

 

Sandro Botticelli Filippo Lippi,Adoration of the Magi oil painting

Painting ID::  26817

X 
 

Sandro Botticelli
Filippo Lippi,Adoration of the Magi
c 145 Washington,National Gallery of Art (mk57)
   
   
     

 

 

Sandro Botticelli Adoratio of the Magi oil painting

Painting ID::  26818

X 
 

Sandro Botticelli
Adoratio of the Magi
c 1465 London National Gallery
   
   
     

 

 

Sandro Botticelli Madonna and Child with St John and two Saints oil painting

Painting ID::  26819

X 
 

Sandro Botticelli
Madonna and Child with St John and two Saints
1468--1469 Florence,Galleria dell'Accademia (mk57)
   
   
     

 

 

Sandro Botticelli Madonna and Child or Madonna of the Rose Garden oil painting

Painting ID::  26820

X 
 

Sandro Botticelli
Madonna and Child or Madonna of the Rose Garden
c 1470 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Madonna and Child with two Angels oil painting

Painting ID::  26821

X 
 

Sandro Botticelli
Madonna and Child with two Angels
1468-1469 Naples,Galleria Nazionale di Capodimonte (mk57)
   
   
     

 

 

Sandro Botticelli Madonna of the Rose Garden or Madonna and Child with St John the Baptist oil painting

Painting ID::  26822

X 
 

Sandro Botticelli
Madonna of the Rose Garden or Madonna and Child with St John the Baptist
1468 Paris,Musee de Louvre
   
   
     

 

 

Sandro Botticelli Piero del Pollaiolo,Justice oil painting

Painting ID::  26823

X 
 

Sandro Botticelli
Piero del Pollaiolo,Justice
c 1470 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Piero del Pollaiolo Faith oil painting

Painting ID::  26827

X 
 

Sandro Botticelli
Piero del Pollaiolo Faith
c 1470 Florence,Galleria degli Uffizi. (mk57)
   
   
     

 

 

Sandro Botticelli Piero del Pollaiolo Hope,Hope oil painting

Painting ID::  26825

X 
 

Sandro Botticelli
Piero del Pollaiolo Hope,Hope
c 1470 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Piero del Pollaiolo,Prudence oil painting

Painting ID::  26826

X 
 

Sandro Botticelli
Piero del Pollaiolo,Prudence
c 1470 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Fortitude oil painting

Painting ID::  26828

X 
 

Sandro Botticelli
Fortitude
1470 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Fortitude oil painting

Painting ID::  26829

X 
 

Sandro Botticelli
Fortitude
1470, detail Florence,Galleria degli Uffizi.
   
   
     

 

 

Sandro Botticelli Discovery of the body of Holofernes oil painting

Painting ID::  26830

X 
 

Sandro Botticelli
Discovery of the body of Holofernes
c 1472 detail. Florence,Galleria degli Uffizi.
   
   
     

 

 

Sandro Botticelli Return of Judith to Betulia oil painting

Painting ID::  26831

X 
 

Sandro Botticelli
Return of Judith to Betulia
c 1472 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

       Prev    6  7  8  9  10  11  12  13  14  15     Next

 

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s